When We Cease To Understand The World
SKU: 19553517619

When We Cease To Understand The World

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When We Cease To Understand The WorldWhen We Cease To Understand The World When We Cease to Understand the World shows us great minds striking out into dangerous, uncharted terrain. Fritz Haber, Alexander Grothendieck, Werner Heisenberg, Erwin Schrdinger: these are among the luminaries into whose troubled minds we are thrust as they grapple with the most profound questions of existence. They have strokes of unparalleled genius, they alienate friends and lovers, they descend into isolated

When We Cease To Understand The World

When We Cease to Understand the World shows us great minds striking out into dangerous, uncharted terrain.Fritz Haber, Alexander Grothendieck, Werner Heisenberg, Erwin Schrödinger: these are among the luminaries into whose troubled minds we are thrust as they grapple with the most profound questions of existence. They have strokes of unparalleled genius, they alienate friends and lovers, they descend into isolated states of madness. Some of their discoveries revolutionise our world for the better; others pave the way to chaos and unimaginable suffering. The lines are never clear.With breakneck pace and wondrous detail, Benjamín Labatut uses the imaginative resources of fiction to break open the stories of scientists and mathematicians who expanded our notions of the possible.

'Ingenious, intricate and deeply disturbing... Labatut has written a dystopian nonfiction novel set not in the future but in the present' - Guardian

'We may be familiar with such things as Schrödinger's cat and Heisenberg's uncertainty principle... but the sheer audacity, the utter insanity of the ideas and the thinkers who discovered these ideas has never, in my experience, been so vividly and terrifyingly conveyed as in this short, monstrous, and brilliant book' - Philip Pullman

'Absolutely brilliant. I was utterly gripped and wolfed it down. It feels as if he had invented an entirely new genre' - Mark Haddon, author of 'The Porpoise'

'Labatut uses fiction to crack open the stories of scientists and mathematicians whose expanded our notions of the possible, while also presenting them as human, all too human' - Dazed

'I absolutely loved this. The writing crackles with energy. What a triumph. I hope it does really well and finds multitudinous readers' - Cathy Rentzenbrink, author of 'The Last Act of Love'

'A dazzling associative caper full of graceful arabesques linking continents and centuries and ideas' - Sunday Times

'Remind[s] us of fiction's power to take us to another world and expand our understanding of this one... When We Cease to Understand the World showcases the minds seeking to pierce the mysterious heart of mathematics' - Guardian

'Darkly dazzling... Given a fine, exacting translation from the Spanish by Adrian Nathan West, these pieces possess an insidiously persuasive power... this book-as haunting as it is erudite-stubbornly insists on connecting the wonders of scientific advancement to the atrocities of history' - Wall Street Journal

'The strangest and most original book I've read for years. It hovers in a state between fiction and non-fiction, or wave and particle, and makes an account of modern mathematics and science into something as eerie as a great ghost story' - New Statesman, Books of the Year

'A gripping meditation on knowledge and hubris... His prose is masterfully paced and vividly rendered in Adrian Nathan West's magnetic translation... With his slippery hybrid of fact and fiction, Labatut slyly applies the uncertainty principle to the human pursuit of knowledge itself' - New York Times

'It is a story about nature's fightback against human interference. In other words it is the story of the 21st century. In a literary industry obsessed with genres, it belongs to none' - New Statesman, Books of the Year

'Compelling, startling and utterly original. This book about physics is a work of art' - Christie Watson

'[A]n exquisitely written and continuously fascinating hybrid work of fiction and history' - Irish Times

'It may be possible to actually feel your brain getting bigger as you read' - Evening Standard

'Tantalising... This is a truly thrilling work of imagination and chutzpah' - Big Issue

'The new Bolaño' - Revistas Lecturas

'Labatut shakes his readers and gifts them thought-provoking images, planting in them the necessity to read everything he's written and everything he writes as quickly as possible' - La Tercera

'Labatut penetrates into the heart of a reality that only few have seen before him - and no one has yet described. A book of terrifying beauty' - Wolfram Eilenberger, author of Time of the Magicians

'Remarkable... melodiously poetic, but precise... Due to the increasing space that Labatut grants to fiction, he succeeds in giving an aesthetic answer to the question of the limits of knowledge: where there is uncertainty, literature grows a special power to enable experience. In this way, fiction can preserve the enlightenment of the blind' - Die Zeit

'He meticulously describes the moods and experiences of his historical protagonists. With this fictional approach, Labatut creates a bewitching closeness and immediacy. And at best a deeper, almost poetic understanding of what Schwarzschild's singularity or Heisenberg's uncertainty principle actually mean for our reality' - Deutschlandfunk Kultur

'The limits of human knowledge: this is the territory in which Labatut, with great vigour and extraordinary intellectual rigour, enters in this admirable book' - Expresso (Portugal)

SPECIFICATIONS:

Author:Benjamin Labatut - Бенджамин Лабатут

Publisher:Pushkin Press

Language:English

Publication Date:2021

Number of pages:192 pst

Format:Paperback

Width:129 mm / 5,1'

Height:198 mm / 7,8'

Weight:170 g

ISBN:9781782276142

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SKU: 19553517619

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4.8 ★★★★★
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Jacy
Waukegan, US
★★★★★ 5
Good reading
Format: Paperback
Excellent historical information, on an empire that is hardly talked about in the media. All other empires follow this great one.
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Reviewed in the United States on August 27, 2022
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Verified Purchase
Amazon Customer
Grantham, US
★★★★★ 5
A difficult book that must be read
This is a Pulitzer Prize winning novel by William Styron (the author of Sophie’s Choice). It is based on a slave revolt in Virginia in 1831, lead by Nate Turner. Turner’s capture and confession is the basis of this book. The novel is told in a 1st person narrative and is largely the work of Styron’s imagination. While it is brilliantly written Styron does include graphic scenes of highly erotic obsessions with various white women and one of the most vivid homosexual encounters in modern literature. Probably because of these scenes Styron was savaged by many of the leading black artists of the day but the book has endured the criticism and is, in many ways, an American Classic. Slavery is an indelible stain on the fabric of American culture. It will never be washed away. Turner is an aesthetic, a religious fanatic, a brilliant, tormented misanthropic, homicidal nihilist. His band of followers slaughters 52 men, women, and children. In retribution the white slaughter 200 blacks. Turner is captured, interrogated, and executed. Instead of inspiring a region wide uprising, he is brought down by his fellow blacks fighting alongside the plantation owners. It is a difficult book to read but it is a book that really should be read.
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Reviewed in the United States on January 18, 2013
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Bill Allen
Grantham, US
★★★★★ 5
“The Confessions of Nat Turner” William Styron, 1966 Compelling ...
“The Confessions of Nat Turner” William Styron, 1966 Compelling is the word that comes to mind. This is a work of fiction based upon the actual event of Turners 1831 bloody insurrection. It is my option that a reasonably accurate portrayal of slave life and slave/slave owner relationships is presented. I will say that for my own part that, most of the time I was rooting for Nat. I don’t know that I have a clear understanding of Nat’s hatred except in the obvious; except for his education, why was his hatred so deep as to cause him to this violence? (In an afterword, Styron states that he believes Nat was insane but that in his novel he did not want an insane Nat) A thought that I had as I read the accounting was what if Turner had directed his energies toward educating other slaves? (Of course this would have been illegal but Nat’ owmer educated him.) A compelling read and I’m giving it 5 full stars.
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Reviewed in the United States on July 3, 2015
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Lavender
Omaha, US
★★★★★ 5
Extraordinary Chronicle of an Avenging Warrior
I purchased this book, although I had read this several years ago. My interest to revisit the novel was aroused when I read The Good Lord Bird and viewed the series. There are strong parallels in the struggles and the motivations explored in these works. Styron is a talented writer who makes this history come alive and gather relevance. The brutal consequences of an impossible circumstance lives on through this century as the legacy of slavery is explored in splendid literary works such as this powerful novel. I highly recommend it.
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Reviewed in the United States on April 7, 2021
K
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Kenny of LA
Boise, US
★★★★★ 4
Make Sure You Read the Vintage Edition with the Afterword
I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner. I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl). As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint. It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD. Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
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Reviewed in the United States on September 26, 2008

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