Transfiguration of Christ Our Lord icon (2)
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Transfiguration of Christ Our Lord icon (2)

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Transfiguration of Christ Our Lord icon (2)Orthodox icon the Transfiguration of our Lord and Savior Jesus Christ (2). This is a copy of an icon painted by Theophanes the Cretan around 1535, Monastery of Sravronikita Mount Athos. Celebrated on the 6th of August. This event is one of the twelve major feast days of the Orthodox Church. It is recounted in the Synoptic Gospels, (Matthew 17: 1, Mark 9: 2 , Luke 9: 28 ) In this icon Christ is the center and focus of the image, his hand held in a

Orthodox icon the Transfiguration of our Lord and Savior Jesus Christ (2). This is a copy of an icon painted by Theophanes the Cretan around 1535, Monastery of Sravronikita Mount Athos.

Celebrated on the 6th of August.

This event is one of the twelve major feast days of the Orthodox Church. It is recounted in the Synoptic Gospels, (Matthew 17:1, Mark 9:2 , Luke 9:28 ) In this icon Christ is the center and focus of the image, his hand held in a blessing, eyes directed at us. His clothes are depicted white as light as the Gospel writers describe, and the glory of God overshadowing the scene is shown by the mandorla around his body. From His body, shafts of light are shown radiating out from Christ.

Elijah (2.) and Moses (3.) stand at the top of separate mountain peaks to the left and right of Christ. They are bowing toward Christ with their right hands raised in a gesture of intercession towards Him. Saint John Chrysostom explains the presence of these two fathers of the faith from the Old Testament in three ways. He states that they represent the Law and the Prophets (Moses received the Law from God, and Elijah was a great prophet); they both experienced visions of God (Moses on Mount Sinai and Elijah on Mount Carmel); and they represent the living and the dead (Elijah, the living, because he was taken up into heaven by a chariot of fire, and Moses, the dead, because he did experience death).

Below Christ are the three Apostles, who by their posture in the icon show their response to the transfiguration of Christ (4.). James has fallen over backwards with his hands over his eyes. John in the center has fallen prostrate. Peter is kneeling and raises his right hand toward Christ in a gesture expressing his desire to build the three booths. The garments of the Apostles are in a state of disarray as to indicate the dramatic impact the vision has had on them. This event shows forth the divinity of Christ, so that the disciples would understand after his Ascension that He was truly the radiant splendor of the Father, and that his Passion was voluntary (Mark 9:2-9). It also shows the possibility of our own theosis.

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SKU: 72221223762

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Amazon Customer
Port Orchard, US
★★★★★ 5
Five Stars
Format: Paperback
Why read Butler when we have Wittig?
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Reviewed in the United States on November 27, 2017
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CK
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★★★★★ 5
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Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
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Chris Eldredge
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excellent sevice
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Reviewed in the United States on June 23, 2015
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Lee Hall
Belleville, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
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monsieurw1
Lexington, US
★★★★★ 3
Partly still thought-provoking, partly dated
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Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013

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