Grail Abgasanlage passend für Audi TTS Roadster 8S / FV – Klappenanlage
SKU: 97775026432

Grail Abgasanlage passend für Audi TTS Roadster 8S / FV – Klappenanlage

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Grail Abgasanlage passend für Audi TTS Roadster 8S / FV – KlappenanlageGrail Abgasanlage passend fr Audi TTS Roadster 8S FV Klappenanlage Offen fahren mit dem Sound, den der 2. 0 TFSI verdient Der Audi TTS Roadster 8S (intern auch FV) ist die offene Variante des sportlichen TTS mit 286 bis 310 PS aus dem 2. 0 TFSI, Allrad und Stoff Verdeck. Wer offen fhrt, will den Motor erleben das ist der Sinn der Sache. Audi hlt den TTS ab Werk aber akustisch deutlich zurck. Mit der GRAIL Klappenabgasanlage holst du dir den Sound

Grail Abgasanlage passend für Audi TTS Roadster 8S / FV – Klappenanlage

Offen fahren mit dem Sound, den der 2.0 TFSI verdient

Der Audi TTS Roadster 8S (intern auch FV) ist die offene Variante des sportlichen TTS – mit 286 bis 310 PS aus dem 2.0 TFSI, Allrad und Stoff-Verdeck. Wer offen fährt, will den Motor erleben – das ist der Sinn der Sache. Audi hält den TTS ab Werk aber akustisch deutlich zurück. Mit der GRAIL Klappenabgasanlage holst du dir den Sound zurück, der zum offenen Fahrerlebnis passt. Bei geöffnetem Verdeck wird die Anlage zum eigentlichen Kauferlebnis – sportlicher TFSI-Sound direkt aus dem Heck, ohne Filter durch ein festes Dach.

Handgefertigt in Deutschland aus L304-Edelstahl, mit ECE-Typgenehmigung. Damit eintragungsfrei in allen EU-Fahrzeugen mit Standardzulassung.

Open-Air-Sound mit offenem Verdeck

Bei offenem Verdeck wird der Effekt der GRAIL Anlage spürbar intensiver als im geschlossenen Coupé. Die Schallwellen erreichen die Ohren des Fahrers direkt aus der Heckpartie, ohne durch ein Dach gefiltert zu werden. Im Dynamic-Modus mit offenem Verdeck bekommst du den ungefilterten 2.0 TFSI-Charakter mit Backfires beim Lastwechsel – exakt das, was ein Roadster akustisch leisten sollte. Im geschlossenen Zustand bleibt der Innenraum-Geräuschpegel angenehm, weil die Steuerung über die Fahrmodi läuft.

Mit oder ohne OPF – beide Varianten verfügbar

Die Anlage gibt es für Roadster-Modelle mit Ottopartikelfilter und für Modelle ohne OPF. Im Konfigurator wählst du die zu deinem Fahrzeug passende Variante:

  • Mit OPF: Für TTS Roadster Modelle mit werkseitigem Ottopartikelfilter (ab ca. 2018 schrittweise eingeführt). Der OPF bleibt im System integriert – volle ECE-Konformität, eintragungsfrei.
  • Ohne OPF: Für ältere TTS Roadster Modelle ohne Ottopartikelfilter. Klanglich nochmal klarer und druckvoller, weil keine Filter-Dämpfung im Abgasstrom.

Zwei Klappen in Reihe – warum das beim Roadster Sinn macht

GRAIL verbaut bei der TTS Anlage zwei Klappen hintereinander in Reihe. Für den Roadster ist das besonders relevant, weil offene Karosserien akustisch sensibler reagieren:

  • Klappen geschlossen: Beide Klappen blockieren konsequent. Du kannst auch mit offenem Verdeck durch Wohngebiete fahren, ohne dass die Nachbarschaft mitbekommt, was du fährst. Voll ECE-konform und alltagstauglich.
  • Klappen geöffnet: Beide Klappen geben den Abgasstrom frei. Bei offenem Verdeck wird der Effekt nochmal um eine Klasse intensiver als im geschlossenen Coupé-Format – puristischer TFSI-Charakter direkt aus dem Heck.

Klappensteuerung über die Audi-Fahrmodi

Beide Klappen werden über die werkseitige Audi-Klappensteuerung deines TTS Roadster angesprochen. Bedienung läuft wie gewohnt über das MMI:

  • Dynamic-Modus: Beide Klappen geöffnet – voller GRAIL-Klang
  • Comfort oder Efficiency: Beide Klappen geschlossen – dezent und ECE-konform

Roadster oder Cabrio – beides meint dasselbe

Audi nennt die offene TTS-Variante offiziell „Roadster". Umgangssprachlich wird oft auch „Cabrio" genutzt. Beide Begriffe meinen dasselbe Fahrzeug. Diese GRAIL Anlage passt ausschließlich auf die offene Karosserie-Variante – die Version für das geschlossene Coupé findest du als eigenes Produkt im Shop.

Auswahl im Konfigurator

Vor der Bestellung wählst du folgende Optionen:

  • OPF-Status: Mit oder ohne Ottopartikelfilter
  • Downpipe-Anschluss: An Serie oder an HJS-Downpipe
  • Endrohr-Farbe: Edelstahl gebürstet oder Schwarz

Du bist unsicher beim OPF-Status oder Downpipe-Anschluss? Schick uns die FIN per WhatsApp oder Kontaktformular – wir prüfen das vor der Bestellung.

Downpipe-Anschluss – Serie oder HJS

  • An Serie: Standardwahl für TTS Roadster ohne Downpipe-Modifikation. Die GRAIL wird direkt an die werkseitige Downpipe angeschlossen.
  • An HJS: Für Fahrer mit verbauter HJS-Downpipe (häufig bei Stage 2 oder Stage 3 Setups). Die GRAIL wird mit passender Schnittstelle für HJS gefertigt.

Endrohre – 4-flutig rund, 100 mm

Die Anlage kommt mit dem klassischen 4-Rohr-Look: vier runde 100 mm Endrohre, sportlich und markant im Heck. Damit bekommt der Roadster optisch einen klar erkennbaren Aftermarket-Auftritt – passend zum offenen Karosserie-Charakter:

  • Edelstahl gebürstet: Sportlich-elegant, hochwertige Optik im Heck – passt besonders gut auf hellen Lackierungen
  • Schwarz: Mattschwarze 4-Rohr-Optik – dezenter, aggressiver Auftritt, ideal in Kombination mit dunklem Verdeck

Material & Verarbeitung

L304-Edelstahl komplett, CNC-präzise gefräste Komponenten. Die Schalldämpfer und beide Klappen sind im GRAIL-Soundlabor speziell auf den 2.0 TFSI des TTS abgestimmt – mit Berücksichtigung der Roadster-spezifischen Schallabstrahlung bei offenem Verdeck. Strömungsoptimierte Rohrführung minimiert den Abgasgegendruck bei geöffneten Klappen. Beide Klappen aus Edelstahl-Vollmaterial, präzise schaltend und auf langjährigen Dauereinsatz ausgelegt.

Highlights

  • Speziell passend für Audi TTS Roadster 8S / FV
  • Erhältlich mit oder ohne OPF
  • Zwei Klappen in Reihe – große Sound-Bandbreite
  • ECE-Typgenehmigung – eintragungsfrei im EU-Raum
  • 4-flutig rund 100 mm in Edelstahl oder Schwarz

Bestellung mit Montage bei FLOW DOWN®

FLOW DOWN® ist offizieller GRAIL-Partner im Ruhrgebiet. Bei Bestellung mit Montage bekommst du unser faires Anzahlungs-Modell:

  • 50 % Anzahlung bei Auftragserteilung – wir bestellen daraufhin die Anlage bei GRAIL
  • Sobald die Anlage in unserer Werkstatt eintrifft, vereinbaren wir mit dir den Montagetermin
  • Den Restbetrag zahlst du erst nach erfolgter Montage – nicht vorher

Wichtig: Das Anzahlungs-Modell gilt ausschließlich bei Montage-Buchung und ist nur per Vorkasse / Überweisung möglich. PayPal oder andere Bezahlmethoden werden hierfür nicht akzeptiert.

Schweizer Eignungsgutachten

Auf Wunsch erhältst du gegen Aufpreis ein Schweizer Eignungsgutachten für die GRAIL Anlage. Bei Interesse einfach den Support kontaktieren.

Passende Fahrzeuge

  • Audi TTS Roadster 8S (mit OPF, ab ca. 2018)
  • Audi TTS Roadster 8S (ohne OPF, bis ca. 2018)
  • Audi TTS Cabrio 8S / FV (umgangssprachliche Bezeichnung für den Roadster)

Nicht passend für: Audi TTS Coupé 8S (andere Karosserie, eigene Anlage im Shop), Audi TT RS Roadster 8S (5-Zylinder-Motor und komplett andere Abgasanlage), Audi TT 8S Roadster (Basismodell, anderer Motor). Für diese Modelle gibt es jeweils separate GRAIL-Anlagen.

Lieferumfang

  • GRAIL Klappenabgasanlage passend für Audi TTS Roadster 8S / FV (in deiner gewählten Variante)
  • Zwei integrierte Klappen in Reihe
  • 4x Endrohre rund 100 mm in Edelstahl gebürstet oder Schwarz (laut Auswahl)
  • Montagematerial
  • ECE-Typgenehmigung als Beleg fürs Fahrzeug

Hinweise zur Zulassung

Eintragungsfrei dank ECE-Typgenehmigung – gilt für alle EU-Fahrzeuge mit Standardzulassung. Bei Modellen mit OPF bleibt der werkseitige Ottopartikelfilter im System integriert und sorgt für volle ECE-Konformität. Bei Import-Fahrzeugen mit abweichender Betriebserlaubnis bitte vor der Bestellung Eintragungspflicht prüfen.

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SKU: 97775026432

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4.1 ★★★★★
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C.J.
Boise, US
★★★★★ 4
Pretty Good... Not amazing.... But pretty good.
Format: Paperback
Before taking a stab at my first real story I have decided to read two books on the art of writing fiction; "Techniques of the Selling Writer" by Dwight Swain, and the book I am reviewing now, "Plot and Structure" by James Bell. While Swain's book was more of an all inclusive manual on writing interesting fiction, Bell's book is focused strictly on, as the name suggests, plot and structure. What this book is not... This is not a 'how to write a novel' book; if you are going to just read one book on writing a fiction novel then "Techniques of the Selling Writer" may be the more appropriate choice. If you are looking for a book that deals with anything outside of plot and structure, this book will be of no help there either. This book is designed to be supplemental to an already moderately educated reader. If you read Swain's book first, then you will instantly recognize the principles of this book. What this book is... This is a great book on, you guessed it, Plot and Structure. It's actually a fairly concentrated look into the subject. The chapters... Ch 1: What's a plot, anyway? Ch 2: Structure: What holds your plot together. Ch 3: How to explode with plot ideas. Ch 4: Beginning strong. Ch 5: Middles. Ch 6: Endings. Ch 7: Scenes. Ch 8: Complex Plots. Ch 9: The character arc in plot. Ch 10: Plotting Systems. Ch 11: Revising your plot. Ch 12: Plot Patterns. Ch 13: Common plot problems and cures. Ch 14: Tips and Tools for plot and structure. I found the specificity of this book very helpful with each principle being illustrated by a paragraph or so of a known author's work. Bell handpicks excerpts from authors varying from Dean Koontz to Herman Melville, brilliantly pulling text from these masters and showing us how they went about the relevant technique. This easy to read nature and well outlined subject matter means I will be using several of its chapters as a personal reference guide in the future. I'm certain it will keep me from making many of the mistakes beginning writers make and possibly save me weeks in rewrites. I will say this though... "Techniques of the Selling Writer" is a better book and covers plot quite well too; so if you are only going to read one book on writing, that is a damn good place to start. If you want to supplement that reading further, "Plot and Structure" comes highly recommended. [...]
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Reviewed in the United States on May 26, 2010
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fernando pedernera
Boise, US
★★★★★ 5
Have no fear!, or The writer's Victorinox.
Format: Kindle
You can't praise this book enough. There are a ton of how-to books out there, but this one really made a difference for me. Think of writing as a journey through the woods: You set up, you get in the muddle, and you come out (hopefully) on the other side. When doing this, we try to use as many tools and resources as we can to make it to the other side, but most of the time you fail (or tools fail on you) and you end up starving or being eaten by some wild animal in the muddle of the story. What James Scott Bell wants you to have in clear is that the most useful tool you can have out there is YOU. And all of his tips, advice and excercises are aimed to one thing and one thing only: how to unleash and harness the power of your story (and survive). It provides clear, straight-forward tools and tips, adressing many aspects of the writing process you won't find in many of them. It is a must-read for anyone interested in the study of plots and storytelling. Relevant examples that take in consideration a wide array of writer profiles, and Bell does not abuse with film examples (and most of the movies it references are also books i.e.: the maltesse falcon, the godfather, etc.). It contains useful excercises at the end of each chapter to help you put the tehcniques in practice and bring the best out of your learning experience. It really helped me overcome several issues I had with my novel-writing and opened my mind to a new scope on plot and str.. This is a wonderful book, written in the same gripping style that the author suggests to use, and with great success. I think this is a wonderful book because it does not give infalible advice. To me that is very important. Let me ilustrate how I felt by giving you the following example: (after developing content) -Regular book: so just do This (and fail, miserably). -Bell's book: Many writers had this problem before and by doing This you might also find a solution for it. In case That doesn't work, you could maybe try This, or come back at it again later on with a fresh view and give it another try.
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Reviewed in the United States on August 18, 2017
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Nancy C. Beck
Natrona Heights, US
★★★★★ 5
Excellent resource
Format: Paperback
Two novel ideas ago, I had to put that one aside because I stuffed it to the point where the story made no sense. I intend to go back to it at some point, but for now, it's collecting dust. Also collecting dust is my more recent idea. I started with an outline (of sorts), wrote and rewrote it a few times...only to get stuck on Chapter 8 or so. I didn't know where to take the story. This one will probably never get resurrected...but you never know. Which leads me to one of the best things in this book: outlining with index cards. There's at least one other book touting this, but I'm sure there are others that do. What sets this one apart, in my mind, is his suggestions on how to set it up. This doesn't comprise a huge part of the book, but it made enough sense to me that I decided to give it a whirl. Almost 50,000 words later, I'm still chugging along, taking into mind his ideas (I'd never heard it put quite this way) about doorways of no return (more on that in a moment). Sure, I've made some changes, throwing out cards, rearranging cards, adding cards. That's the beauty of this system: it's not set in granite. If your muse takes you in a way that's different from what you originally wrote, go for it! Mr. Bell explains the doorways simply, at first, as transitions - from beginning to middle and then middle to ending. The first doorway gets your Main Character from beginning to middle; the idea is to create a scene where the MC is thrust into conflict in a way that keeps him/her there. With the second doorway (middle to ending), something has to happen to set up the final confrontation. It's usually a huge clue, a big piece of information, or a major crisis that sends the MC hurtling towards the conclusion. Mr. Bell explains these in greater detail, and I found his explanations quite understandable. But there's more to this book than that. Mr. Bell gets into how to come up with plot ideas, character arcs, revising, plot problems and cures, scenes, and tips and tools. I wasn't bothered by his reusing some of the same good writing examples, but it may make you cringe or roll your eyes. Other than that minor quibble, I think everything else about this book makes it shine as a writer's resource.
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Reviewed in the United States on December 1, 2006
C
Verified Purchase
Corwin
Dallas, US
★★★★★ 5
Most Helpful Book I've Read on Plot and Structure
Format: Paperback
This is a well-organized, easy-to-read guide to techniques used to develop plots and sound story structure. It includes 14 chapters and two appendices. They cover such topics as what a plot is, how structure holds plot together, how to get ideas, and how to handle/interweave plot into all the levels of a novel (from whole sections such as the Beginning or middle of the work, down to the micro level of individual scenes). He includes discussion of different "plotting systems" (from writing by "the seat of your pants" to types/methods of creating outlines of various levels of "thoroughness" for those interested in mild outlining to someone with full-blown OCD). It discusses complex plots and sub plots, character arcs in relation to plot, common problems and solutions, revision, and more. Every chapter ends with a few exercises to reinforce the topic covered. The two appendices are a checklist for reminding you of major plot components as you write, and how to create "back cover" (aka the blurbs on the back of your book, or the summaries on the inside flap of dust jackets). As a writer, I am a "seat of the pants" guy, who's reluctantly recognized it isn't working for me (a major motivation for getting this book). Bell's discussion of different styles of outlining, though brief, gave me ideas of how to proceed. While I've often read books that include exercises, I confess to rarely doing them -- Bell is an exception (no, I didn't do *all* of them, but.... :) ). His text uses plenty of examples, drawn from movies and well-known novels. I've read other works on plot and structure (both general books and at least two dedicated to these topics), and have found this one to be by far the most readable, instructive, easy-to-digest, and *helpful.*
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Reviewed in the United States on June 17, 2017
C
Verified Purchase
Cora L. Foerstner
Alexandria, US
★★★★★ 5
I have a few instructional writing books I reread; this is one of them.
Format: Paperback
Plot & Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish by James Scott Bell may be the best book for plotting and creating structure in fiction stories that I’ve read. I have a few instructional writing books I reread; this is one of them. Plot & Structure works for writers who don’t use outlines and for those who do. Throughout Bell acknowledges and addresses how his ideas about plot and structure can be used by all writers. This isn’t a “my way or the highway” kind of book. Bell gives practical advice for all writers. What’s so great about Plot & Structure? The biggest plus is Bell’s practical and down to earth strategies and clear explanations. Here are the other greats: Bell’s approach isn’t a how-to formula; it’s more of a guide. His genre is thrillers, but he addresses the needs of other genres as well as those of literary fiction. He provides many strategies writers can use to approach plot and structure; plus, he encourages readers to find their own way of working. The exercises at the end of the chapters are practical. If you try some of them, you’ll discover that they aren’t busywork but helpful approaches to solving writing issues. Unless you’re a pro with so many publications behind you that you don’t need help, this isn’t a book to read once and put away. It’s a book you’ll come back to and get more out of with a second or third reading. If you want a formula or step-by-step program, this isn’t a book for you. He gives choices so you can find you own style and way of working. Which is one of the things like I about the book. It’s like going to a writer buffet and choose the strategies that work for you. If you are someone who writes without an outline, you are going to be surprised because Bell doesn’t leave you out of any of the equations. He has strategies for all writers.
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Reviewed in the United States on November 13, 2014

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